Chroma
Colour, unrestrained.
Chroma is an argument made in colour. There’s no subtlety here, only rhythm, pressure, contrast. These works demand presence. They shimmer with intensity. Geometry is used like volume. Squares become sirens, blocks become percussion. These aren’t landscapes. They’re collisions.
Overtune
Everything louder than everything else.
Red, cobalt, neon pink. Layered with instinct. Overtone feels like a wall of sound, a wave cresting and breaking simultaneously. The blocks seem to shout over each other, yet the composition holds, barely.
24x36
Circuit
Colour is a signal.
Circuit reads like a system under strain. The orange line jolts across the surface, interrupting the grid. Each block holds position, yet the composition feels unstable, like something is about to surge.
24x36
Vibration
Pulsate in friction.
This is motion. Resonance. Vibration. Layers saturate like sound. Orange, crimson, and blue pressed into each other until they quiver at the edge of cohesion. The composition is structured, but nothing about it feels still. It pulses with friction. It hums. Every block vibrates against the next, tuned just enough to hold, just enough to shake.
24x42
Radiant
Heat becomes form.
This piece burns. Orange rises into fuchsia and slides into cream. Indigo tries to ground it, but fails. Radiant is alive with saturation, the kind that glows even in stillness. A visual sunspot.
24x42