Collections

Colour, unrestrained.

Chroma is an argument made in colour. There’s no subtlety here, only rhythm, pressure, contrast. These works demand presence. They shimmer with intensity. Geometry is used like volume. Squares become sirens, blocks become percussion. These aren’t landscapes. They’re collisions.

The rhythm in restraint.

Light is not absence. It is presence, quiet but decisive. Ivory explores the subtle weight of brightness, the edges of purity interrupted by gesture and impulse. These works flirt with fragility, through blocks of bold pigment, but resist the stillness. Each stroke is tension between calm and collision, between what’s said and what’s left unsaid.

In the dark, something waits.

Darkness is not a void but a force. It anchors. It defines. Noir explores the architecture of absence. Form is born from shadow, and clarity arrives through contrast. These works live on the edge of visibility, restrained yet volatile. There’s a weight to silence when it’s rendered in black.