Noir
In the dark, something waits.
Darkness is not a void but a force. It anchors. It defines. Noir explores the architecture of absence. Form is born from shadow, and clarity arrives through contrast. These works live on the edge of visibility, restrained yet volatile. There’s a weight to silence when it’s rendered in black.
Veil
What you see isn’t all that’s there.
A dark field above a band of blurred reflection. Something is trying to emerge through static. Veil speaks to concealment. It holds the suggestion of form behind a filter of silence.
24x42
Interstice
In the space between.
At first, a heavy mass. But at the edge, something begins. Interstice the border between presence and absence, memory and forgetting. The form is rigid, but the red flickers like something trying to seep in.
36x42
Obscura
What shines must hide to survive.
At first, this work refuses. Only after a pause do the faint reds bloom from its base. Obscura is about choosing when to be seen. Flickering at the edge of perception. A slow reveal, if you’re still long enough to catch it.
24x36
Abyss
Look into the abyss, and see yourself.
Layers of darkness. Limitless of recognition. The Abyss never ends. You enter thinking it's silent but it sees you first.
36x42
Nocture
In the dead of night, stillness waits.
A field of black. Quiet, structured, unresolved. Hints of deep red glow beneath the surface. Nocturne unfolds like a slow composition: tonal, meditative, lingering. It’s a study in saturation.
36x46
Ashfall
Descent leaves a mark.
Pigment collapses. Texture thins and falls in vertical trails that stain the white below. Ashfall is erosion as expression. The quiet, inevitable breakdown of surface into residue.
24x36